2992 безплатни аудиофайлове за "F Sharp Minor Chords"

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Most dissonant triad in Bohlen-Pierce tuning: 0,1,2 (semitones).

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Soft, yet simultaneously powerful synth pad/synth string chords. Lightly processed- only minor eqing and reverb touches. Chord progression based in f# major. Free to use as desired.

Dominant seventh in Beethoven's Piano Sonata in B-flat major, Op. 22.

Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750)

*Alpha scale minor third on C. (3 : 2)4/9 : 1 = 311.98 cents. MIDI pitch bend: 107,67 MIDI pitch bend on 108,67 for 312 cents

*Lesser 23-limit semitone on C = D♭-. Just: 24:23 = 73.68 cents. Limit: 23-limit. MIDI pitch bend: 74,87 on PU

*Greater 23-limit semitone on C = C↓♯+. Just: 23:22 = 76.96 cents. Limit: 23-limit. MIDI pitch bend: 80,88 on PU

Bach's "Crucifixus", B Minor Mass ground bass.

*Novendecimal minor second on C = D♭-. Just: 19:18 = 93.60 cents. Limit: 19-limit. MIDI pitch bend: 122,93 on PU

The chord of A major played on an acoustic guitar. El acorde de A major toca en una guitarra acoustica.

Shuffle pattern with staggered thirds played on piano.

Triad in Bohlen-Pierce tuning (0 7 10). Title refers to number of semitones (unison=0).

One of four 'Link' chords, all-interval twelve-tone sets containing an all-trichord hexachord.

Secondary chords in Mozart K 475.

Leading-tone seventh chord often serves a dominant function. This example is from Mozart's K. 283 III, mm. 64-69.

45:54:64 = F#+, A+, C = C, Eb, Gb-

5:6:7 = E, G, B7b = C, Eb, G7b.

Dominant sevenths in Chopin's (1810–1849) Mazurka in F minor, op. 68, no. 4, m. 1-4.

Just Intonation Major Chord (4:5:6)

So What chord.

Leading-tone seventh chord in baroque composer Élisabeth Jacquet de La Guerre's 1707 Pièces de clavessin, book 2, "Sarabande", mm.21-8 (ending).

Fourth movement of Gustav Holst's Second Suite in F for Military Band, based on the folk song of "Dargason" whilst "Greensleeves" clearly wovens into the fantasia in the end.

Third movement of Gustav Holst's Second Suite in F for Military Band, featuring the folk song "A Blacksmith Courted Me".

First movement of Gustav Holst's Second Suite in F for Military Band. Includes tunes Morris Dance, Swansea Town and Claudy Banks.

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 06 Fugue No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 05 Prelude No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 05 Prelude No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 06 Fugue No. 3 in C-sharp major, BWV 848

Piano Concerto No. 2, Op. 18 in C minor for piano and orchestra (13 minutes, then Scriabin Nocturne Op. 9, No. 2)

Robert Schumann: Kreisleriana, Op. 16, No. 1, "Äußerst bewegt"

E natural minor scale ascending and descending.

E harmonic minor scale ascending and descending.

B natural minor scale ascending and descending.

E melodic minor scale ascending and descending.

C harmonic minor scale ascending and descending.

*Pythagorean minor semitone/Pythagorean limma on C = D♭-- (Ben Johnston's notation). 256/243 = 90.22 cents. Limit: 3-limit. MIDI pitch bend: 112,60